This is a review of the film ‘Phantom Thread’ starring Daniel Day-Lewis and Lesley Manville. None of my reviews contain spoilers and only broad comments on the plot of a film.
Back to the Oscar-nominated films, I was excited to see Phantom Thread after enjoying the soundtrack for a few weeks (Spotify link). I was also interested to see what is supposed to be Daniel Day-Lewis’ last film, and see how Paul Thomas Anderson had directed this story – especially after hearing a great interview with him on the Adam Buxton podcast last week.
Phantom Thread tells the story of Reynolds Woodcock, a haute-couture dress designer and maker in 1950’s London, a man of exacting and sometimes eccentric standards and taste. Lesley Manville plays his sister Cyril and provides both a foil and accomplice to indulge his whims.
The film focuses on the relationship between Woodcock and a young woman called Alma, who comes into his life following a chance (?) encounter over a brilliant breakfast scene. The couple does not have an easy relationship, given his focus on work and demanding nature.
Along the way, we meet some of the interesting customers that might frequent an haute-couture fashion house in the 1950’s, from Princesses to Countesses to socialites, and all of the challenges they entail.
Phantom Thread is beautifully made, with an attention to detail and pace that makes it a lovely film to watch. The performances from Day-Lewis, Manville and the newcomer Vicky Krieps as Alma are electric and worthy of the finest films. There is something gothic and unsettling about Reynolds, and like many of Daniel Day-Lewis’ finest parts, he dominates the screen and dialogue.
Just after I watched this, Phantom Thread was largely overlooked at the BAFTA Awards, picking up Best Costume – I suspect that this will change at the forthcoming Oscar ceremony. Whatever the awards bring, this is my favourite of the season.
Overall. 10/10. IMDb