This is a review of Three Billboards Outside Ebbing, Missouri. A film starring Frances McDonagh and Woody Harrelson.
I’ve been to Missouri. A long time ago I visited the state, and I still think the bit I visited was more modern than the fictional town of Ebbing which is the setting for this film.
Mildred Hayes (played perfectly by Frances McDormand) is searching for justice for a daughter who was the victim of a hideous crime. Believing that the local police Chief, Willoughby (Woody Harrelson) is dragging his feet with the investigation, Mildred leases three billboards at the edge of town to call attention to the inaction.
What follows is a chain reaction that twists through the darkest turns of grief. Ebbings various residents are both cruel and funny in turn, and tragedy is never far enough from incandescent rage.
From the all-American family man Willoughby to the bum-cop Dixon, played by Sam Rockwell, explosive emotions lurk beneath almost comedic surfaces. France McDormand is fantastic, her anger only giving way to tender scenes when she encounters the spirit of her daughter during a quiet moment.
There is a sense of a Western in much of this film, with many of the big scenes overlooking a modern main-street. Violence is never far away, but never disproportionate to the gravity of the original crime committed.
Three Billboards has been nominated for a raft of awards this season, and rightly so. Multiple Golden Globes and BAFTA nominations are in the bag, and I fully expect to see this highly rated at the Oscars.
Three Billboards Outside Ebbing Missouri is a melancholic film, but there is very dark humour which made me laugh out loud a number of times, and the script is excellent. The sadness of a mother who has lost her daughter is not assuaged, and McDonagh delivers a great performance as the hero of the piece.
Overall. 10/10. IMDb